There’s this group called Rancid I saw the music video for one of their songs years ago, and the bassline was just so crazy. “I started out playing bass and guitar, these sorts of instruments. Looking back a little bit to begin with, how did you first get involved with music production and electronic music-making? Naples spoke to us from his home in New York, giving us a captivating insight into the creative process behind orbs’ interplanetary drift and talking us through his journey into music-making, his relationship with gear, and how 16 channels are more than enough. Placid, downtempo grooves provide an anchor in the ambience, and there are distant echoes of shoegaze, chillout and dub’s dilatory thump amid the swirls of cosmic dust. orbs, Naples’ fifth full-length project, is a masterwork of musical escapism.Īcross ten dreamlike tracks, synths twinkle, reverb shimmers and woozy melodies eddy and whirl across the stereo field, floating by like an untethered astronaut. In the years that followed, Naples has continued to refine his charmingly scuzzy, refreshingly individual take on house and techno while treating periodical longform releases as an opportunity to explore slower tempos and a shifting palette of obscure moods and hazy textures. I want my music to sound otherworldly: outside of the realm of possibility The best records take you to another place. Though this relatively meteoric rise made it seem a little like he’d appeared out of nowhere, in truth, Naples had been immersed in DIY music-making for close to a decade prior, spending his teens tinkering with guitars, samplers and tape machines while playing basement noise shows and recording home-brewed demos with friends. Not long after - and with a total of five DJ sets under his belt - Naples was flying out to play Berghain’s Panorama Bar, before several of underground dance music’s most venerable imprints came calling. Lauded by critics and co-signed by notable DJs (including Four Tet, an early influence that would later become a friend and mentor) its dusty, minimal grooves caught ears up across both sides of the Atlantic, earning the then-22-year-old producer more attention than he might reasonably have expected for a three-track debut on a newly-minted label.
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